Hegelian Hydra

Problem, Reaction ... Absolution

We’re in a War of Stories.

And I’ll get tired of reminding everyone of that just as soon as it ceases to be relevant to the ongoing Information War against the Globalist would-be controllers of the collective mind, body and spirit.

Often, that War of Stories takes the form of Narrative Deployments emanating from the usual talking heads occupying the Media Industrial Complex—charlatans and operatives (quite literally,) whose true natures and allegiances those in this community are intimately aware of, just as many of our sleeping fellows continue to fall prey to their matrix of falsity and paranoia.

Other times, this Story takes on the form of congruent/parallel political deployments, which spill out of administrative mouthpieces within the western globalist elite, including the current ‘pretender’ occupying the Oval Office, global think tanks like the World Economic Forum, the EU and NATO alliance, and even the corporate oligarchy masquerading as free-market conquerors.

And yet, recently, this Narrative War is taking on a very literal complexion, as, while all layers of the War of Stories play out within the Collective Mind, the realm of fictionalized, dramatized and ‘produced’ storytelling in Hollywood and the Entertainment Industrial Complex are taking on a greater role than usual in the push toward the Great Awakening, and the dissolution of the System of Systems due to the continued exposures of its underlying nature, aims and mechanisms.

Very recently, the War of Stories as most ‘normies’ understand it—that being, Hollywood’s portrayal of both truth and fiction and all the glitz, glamour, bells and whistles associated with each—has been overtaken by the memetic—and corporately-produced—‘Barbenheimer’ craze, a term used to describe the ironic juxtaposition of ‘dueling’ Hollywood tentpoles last weekend that—at least on paper—appeal to opposite demographics.

In the one corner, the Collective Mind was told, we had one of the modern auteurs of the filmmaking craft as he delves into the mind of one of the enigmatic—and ‘misunderstood’—geniuses of recent humanity in Oppenheimer, chronicling the supposed man behind the myth of the atomic bomb. In the other corner, audiences were treated to a masturbatory exercise in the ironic, cynical and almost unbelievably unaware fusion of woke elitism with corporate greed masquerading as a treatise on each in the form of Barbie, which continues to weaponize the latent, engineered misandry of many modern women, while seeking to black-pill and demoralize two generations of men.

This inorganic, corporate memetic event was shockingly successful from a financial perspective, with the two perfectly counter-programmed films combining for well over $200 Million at the global box office in the wake of recent flops of staggering magnitude by some of the biggest studios in the world—including those responsible for the twin effort herein. The fact that ‘Barbenheimer’ is almost a perfect representation of the Hegelian Dialectic—the Problem-Reaction-Solution theorem that has largely guided the Globalist, Communist and Marxist takeover of human civilization for decades, if not centuries—is secondary to my purposes today, though the blatant propaganda stands as a brilliant example of the one-two punch that demonstrates how predictive programming and mass formation psychosis occurs, from Barbie’s identity politicking to our own ‘history,’ as the machine tells it to us in Oppenheimer.

These seemingly-incongruent messages betray the underlying brilliance of the machine’s ability to divide and conquer within the amorphous—but navigable—gray matter of the Collective Mind, informing by misinforming, entertaining while demoralizing, distracting while preparing for ‘Actual’ events to come, including the continued, planned weaponization of the War on Gender (and reality at large,) as well as the escalation and acceleration of nuclear rhetoric on the world stage.

‘Barbenheimer’s’ dual threat to the Collective Mind represents two powerful pillars of the System of Systems this community was born and continues to be forged to expose and combat, from the Military Industrial Complex and Liberal Sciences and Academia to the Culture War that is as important to track and understand as it is essential to defect from and observe with emotional detachment, while emanating from an Actual pillar of that same System it seeks to protect in the first place—that being the Entertainment mouth of the Hegelian beast itself.

As we have explored in recent pieces, from ‘Culture Shock & Awe’ to ‘Dark to Light,’ the Hollywood machine is eating itself with a rash of ill-timed [for them,] and perfectly-timed (for us,) labor and creative strikes in a perfect representation of the Ouroboros pattern that is both the destiny of collectivism (and by extension, evil,) and the key method by which patriots are dismantling [their] systems of control in the first place.

By this reading, ‘Barbenheimer’ could come to be known as the last gasp of both the Hollywood machine as we have known it for generations, and that of the literal system by which the metaphorical and symbolic are coded into the Collective Mind for the use (the core ‘guidance’) of the powers that would be … and that last line actually makes sense, if you re-read it.

In the end, the story of history belongs to the winning side, however long that side remains in control of the vectors of information dissemination, and the story of history largely informs the story of reality we both tell one another while solidifying it within the vast, bound plenty of our individual subconscious minds, each of which represents a cognitive keystone to the larger ocean of collective humanity we seek to free.

Friend and colleague

Ashe in America

recently published a deep dive on the Badlands Media substack on Oppenheimer that I had the pleasure of editing, saving me the trouble of going in-depth into the feature in this piece, and I recommend giving it a read for some background. Suffice to say, Ashe’s commentary runs along similar lines to my own, parsing Oppenheimer from the rest of the noise from Hollywood’s continued implosion and mapping it onto the War of Stories in a treatise and reminder of this Hegelian Dialectic.

And yet, I personally feel that the timing of the film’s release stands as another soft proof of my own parallel and complementary theories of the Reverse Hegelian Dialectic and Operation Warp Speed.

In essence, what I would argue is that the very auspiciousness of the timing of Oppenheimer and Barbie’s releases during a time where the System of Systems has never been more exposed, including the Systems both films/stories attempt to glorify and lionize also serves to forward the end goals of patriots within the Sovereign Alliance, and of all of us awakening nodes within the vast collective of humanity.

In the past, when the Deep State had near-total control over the War of Stories, predictive programming like the nuclear fear-mongering and inherent, projected atheism of Oppenheimer would have been followed by YEARS of build-up to Scare Tactics and Events regarding its subject matter in the parallel/adjacent layer of Narrative Control—that being the Media and the Political Industrial Complexes. Seeded far enough in advance, as has been the case with many Hegelian deployments in the past, such rhetoric has enough time to seep into the collective unconscious, where it can plant roots that the ‘Real’ Stories within the Fake News Media later germinate with the sort of propaganda we’ve seen blasted into the Collective Mind with blue-and-yellow color programming for the last 18 months.

As it stands, Oppenheimer’s release and its subject matter is FOLLOWING what it should have been LEADING, demonstrating that the Hegelian seeding phase has been swapped with the germination phase, sparking increasing bits of cognitive dissonance and paradigm-cracking tension within the very minds [they] wish to control.

In effect, the powers that would be are getting sloppy, and that is absolutely by design.

Put another way, the reason Hollywood propaganda used to work so well was because it was largely invisible to the Collective Mind that engaged with it, as it SEEMED to be divorced from Actual Events portrayed in the Media Industrial Complex by a factor of years, if not decades, either before or hence. The fact that nuclear rhetoric has spun out of control over the course of the last year, and that a major tentpole film reinforcing and even boosting that very line of programming debuts near the crescendo of that deployment is seen—even if on a subconscious level—as far more suspicious than auspicious.

Truthers, Anons and the ‘awakening’ among us have been telling our friends, families and anyone who would listen that the Entertainment & Media Industrial Complexes are one in the same—heads of the same scaled, diseased and until now, eternal hydra. But, as we have said regarding ALL of the topics we track in the Info War, and within each and every cognitive and actual theater, there is a massive and actionable difference between believing and seeing, exposure and disclosure, and patriots—and all of us—have the collectivist machine, the System of Systems so panicked and reactive that the Beast—the Hegelian Hydra—is using up the last of its acidic reserves in a desperate attempt to repel the inquiring, digging, armored souls arrayed against it and the spears that are the directed minds we hold.

Just as Barbie is putting the bitter hatred of the Hollywood—and by extension, the collectivist—‘elite’ on display for the nation to see, so too has Oppenheimer demonstrated to the Collective Mind the manner in which the Establishment—from the warmongers and doom-bringers to the entertainers and clowns who run defense for them and lend false color to their fictionalized lives—see themselves in relation to the sheep and lemmings they would lord over.

And all of this is occurring while the Media and Military Industrial Complexes close ranks with the Political Establishment in full view of the American people in order to deflect and even attack on behalf of the very systems of corruption they so passionately outlined and explained for the better part of the last seven years in the ultimate consummation—and backfiring—of Saul Alinsky’s playbook, which clues you in to the fact that the entire machine was baited into the deployment of the very Narratives that are currently undoing them.

In the end, we WANT [them] to expose their thinking, their collectivist leanings, their schemes and ultimately, their stories … so why not help them along and force the acceleration of the germination phase ahead of the formation of the seeding phase in the War of Stories?

That is the Reverse Hegelian Dialectic in a nutshell, effectively reverse-engineering the weapon of the enemy against them simply by changing up the order of events in a pattern that was perfectly tuned as recently as in the waning days of the Obama Administration.

A Hydra has many heads, but they are not infinite and they are not legion. From the Hollywood Beast to the Media Machine, the Military Torso to the Political Wings and the Financial Mind that puts the entire swaying, hissing abomination into lurching motion, these interlocked monstrosities are bound in shared sin, shared strength and yes, shared leverage … which is precisely why they—why IT—is ultimately doomed.

Each head of this Hegelian Hydra is used to casting its own spells through illusory leers, retreating backward when challenged directly so that another might slither into its place, distracting and defending with its own rhythmic, expert dance of disillusionment and dissonance, weaving tales of truth into Gordion knots of belief in unbelief over a largely-unsuspecting populace, and while the System of Systems continues to attempt to spin up new Narratives—new spells—the dance has been thrown off, and the heads are no longer aligned, as each has been forced into its own Exposure-Disclosure pattern on the Game Theory Game Board, both by us and those who guided us, woke us and largely trained us for this Fifth-Generation War.

From the Financial to the Narrative, the Cultural to the Clandestine, this pattern of Crisis Convergence is resulting in a Crisis Cascade for the Deep State, each of which we explored in depth in their titular features, some of the most-read to date on this publication.

In effect, the awakening American populace—prompted by its patriotic Ghosts in the Machine and the sovereign leaders on the cognitive, political and cultural battlefields—has placed each head of the Hegelian Hydra into its own paradigm war—a simultaneous, multi-pronged assault on a Beast that has only ever presented the illusion that it can fight a multi-front PsyWar on an infinite timeline.

But illusions, like the lies that make them up, are finite by definition, while the Great Awakening is buoyed by Truth as its foundation and its charge, its sword AND its shield, its end goal AND its purpose, its journey AND its destination. And there isn’t an ounce of misplaced lyricism or hyperbole to that.

In this war—the war for the Collective Mind of humanity itself—there is no retreating, no regrouping and no stopping, all patterns the Collectivists have relied on in order to maintain their threadbare hold over the False Reality, and the Real beneath it.

The most common question a child asks about any and all subjects is also the most common question we should cultivate in virtually all theaters of the Info War:

Why?

And the ‘Why?’ where it concerns the War of Stories happens to be the same for both sides on the Game Theory Game Board.

As I have argued many times at Burning Bright, human beings are coded with an innate ability and desire to both interact with and learn from stories, whether they be true, false or some mix of the two, and while this community understandably recoils at the latter term—‘false’—I have also argued that I believe there are times when more universal, foundational truths can be communicated through the lens of fiction than they can through Actual disclosure.

This is due in large part to the frustrating and frustratingly-apparent prevalence of cognitive dissonance we witness when sleeping minds are introduced to wakeful topics on a psychological or informational timeline incongruent with their ability to take in and codify the new belief system into an internally-held and externally-engineered paradigm that must first be torn down brick by alabaster brick before it can be rebuilt in an image—in a cypher—more conducive to sovereign human experience.

And cyphers are precisely what each and all of us are in this waking world. Cyphers of experience, action and reaction, at once synthesizing, focusing and projecting belief systems onto the world around us—the ‘reality’—and being informed by whatever’s coming back in.

And BOTH forms of projection and absorption of paradigm formation come in the form of stories, from those we tell ourselves, to those we tell the world around us and the vast array of peoples in it, to those we are told—and choose to accept—into our movable, changeable and—regrettably—controllable cognitive cyphers.

The Hegelian Hydra has always been the complexion and design of the System of Systems, the Deep State, the powers that would be. Its form may have changed over the generations, and the rhythm of its swaying, deadly dance may have adapted to the evolutions of its would-be prey—all of us—but its function never has.

The Beast has divided and conquered by provoking our own minds into war against our fellows, and against the very reality around us—against the truth—in a manner akin to shaking a jar of ants unaware of the paradigm they’ve been trapped within, and the vastness of the truth beyond its time-frozen, warped walls.

This jar—this false paradigm—may have held a great plurality of humanity for some time, now, but the beast has shaken it too frequently and too vigorously of late, and some of the ants within—some of us—have shaken loose, first by singles and pairs, and now by multitudes.

And we are angry, awake and aware, and we have directed our ire and our stings onto the hand—onto the story—that continues to shake so that it might squeeze too tightly, forming cracks that merge into splinters, until the whole threatens to shatter in the Beast’s Hegelian grip.

The War of Stories is real, and [they] are beginning to lose their grip on it, with too many threads spinning out so quickly and chaotically that the very act of reeling them in, of merging them and codifying them into the illusion they’ve spun for so long is exposing the once-unseen hands directing from on high.

What if there was a bigger story yet to be told, one awakening minds are already searching for, already seeded to expect, already coded toward its ending, and already participating in the active formation of its plot?

What if the truth prevails?

We are in a War of Stories. We have better writers.

And the enemy is starting to notice.

Too bad for them, the end of our beginning will mark the beginning of their end.

Until next time, stay Positive, stay Based and most importantly … stay Bright.

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(Note to Readers: Below, I humbly ask for the support of those willing and able to spare it as I continue to try to carve out a path for myself and my family that will allow me to focus on the life of the Truthful Tiger more completely. That said, recently, the Buy Me A Coffee company caved to a coordinated ‘Cancel Campaign’ launched by Media Matters, resulting in the deplatforming of several of my friends and peers. While Burning Bright has seemingly escaped their notice—should I be insulted?—for the time being, it is possible that my page will be taken down soon as well. Either way, I wanted to clearly communicate that to you folks, in case it changes your desire to use their platform to support my work.

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